Todd Coleman
 
BIO & INTERESTS

Todd Coleman is a composer and video artist who works within the contemporary "Classical" concert music tradition, but whose works increasingly defy simple categorizations. Recent compositions have incorporated visual elements of multiple projected layers of digital video interwoven with live performers and immersive surround digital audio, blending studio recording and film scoring techniques with prerecorded electronic music and live sound. Coleman has a strong background in technology and the arts, with many commissions and jobs which blur the boundaries between creative disciplines.

Coleman completed his Bachelor of Music degree in composition from Brigham Young University in 1996, winning a number of awards and commissions for his work. He went on to study composition and double bass performance at the Eastman School of Music on a prestigious Jackno Fellowship, earning his Doctorate in 2002. His composition teachers included Joseph Schwantner, Christopher Rouse, Augusta Read Thomas and David Liptak, and he studied double bass with James VanDemark. During that time he received awards for his orchestral and chamber music as well as several commissioned works.

Coleman is an assistant professor of music at Elon University in North Carolina where he coordinates and teaches courses in the new B.S. in Music Technology degree program. Prior to coming to Elon, Coleman taught at Grinnell College in the Music Department for four years after originally joining the Grinnell staff as a Curricular Technology Specialist in Fine Arts in 2002 at the completion of his doctorate in composition at Eastman.

 

 
OTHER INTERESTS

ChristusFAITH & FAMILY
Deeply held convictions about the purpose of this life and the role that families play in God's plan are an important part of Coleman's outlook on life. Some of these beliefs include the sanctity of marriage, the need for faith in Jesus Christ and obedience to his Gospel, and the importance of continuing revelation from God. For more information about some of his beliefs, you can visit www.mormon.org.


Video EditingDIGITAL VIDEO
Through a series of multimedia projects, beginning with his early graduate studies, Coleman has gradually acquired considerable skill and interest in video editing, effects, and animation. These started out as personal or educational projects, but have evolved to become a critical element in his creative work as a composer. This has led Coleman to expand his compositional horizons to encompass not only the auditory component of a work of art, but the visual as well. His preferred tools are Apple's Final Cut Pro, Motion, Shake, and Photoshop.


Sign LanguageAMERICAN SIGN LANGUAGE
In the summer of 2004, Coleman began learning sign language to be able to communicate with deaf members of his local church congregation. He has come to love and appreciate the beauty, richness, and uniqueness of sign language, and continuously works to improve his skills in ASL.


EducationEDUCATION
Teaching and learning are fundamental to human growth and happiness. Through sharing knowledge and experience, as well as making new discoveries or insights, both teacher and student can be edified, enriched, and enabled to conduct one's life in a manner that benefits the individual, family, and society at large.


Web siteWEB DESIGN
Coleman began learning web design skills during the early days of the Internet, including HTML authoring and image editing software programs. These skills, in combination with related experience in video and multimedia CD-ROM authoring led to Coleman's position as a Curricular Technology Specialist in Fine Arts at Grinnell College from 2002-2003. During that time, he assisted faculty members at the College in conceptualizing, designing, and implementing a variety of technology-based pedagogical tools including websites, Flash modules, Director projects for CD-ROM and web delivery, multimedia presentation, Podcasts, etc.


Lao WatLAOTIAN
Coleman's experience with Laotian language and culture began with his call to serve a mission to Minnesota during the early 1990's. He received a two-month "crash course" in reading, writing, and speaking Laotian, followed by 22 months of service teaching (and being taught by) the Lao people of Minnesota. He served most of his mission in the Minneapolis area, but also served for a time in St. Cloud and Warroad. That experience and the people he met have greatly influenced and enriched his life. He continues to keep up his language skills as time allows and to try and maintain contact with the Lao community in whatever area he resides.

 
AUDIO SAMPLES

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VIDEO SAMPLE

 
CONTACT

address
 
PUBLICATIONS & RECORDINGS

April ClaytonFLUTE CONCERTO, CD Recording, coming 2007-08
Commissioned by The Barlow Endowment for flautist April Clayton. Recorded with the Brigham Young University Chamber Orchestra. Published by Tantara Records

buy from Tantara Records, $TBA


BookMORMONIANA, Limited Edition
Includes the complete score of sixteen compositions, the reproductions of the artworks that the composers selected, the CD recording, the essay, and the original editioned print. Each copy of this hardcover limited edition is signed by the artist and numbered. 116 pages.

buy from Mormon Pavillion, $150.00


BookMORMONIANA, Paperback Edition
Includes the complete score of sixteen compositions, the reproductions of the artworks that the composers selected, the CD recording, the essay, and the original editioned print. This paperback edition is NOT numbered nor is it specifically limited. 116 pages.

buy from Mormon Pavillion, $50.00


CDMORMONIANA, Audio CD

Includes a 16 page booklet : includes the 5 minute piano version of Coleman's Exquisite Corpse.

buy from Tantara Records, $15.95

 

 
QUOTATIONS

“Masterly orchestral craftsmanship... a feel for odd, refreshing sonorities, and expressive speech... More power to composers like [this].”
‣ John van Rhein - Chicago Tribune


“His music-making is naturally expressive and has an elegance that is compelling.”
‣ Augusta Read Thomas


“I find his music strong, imaginative and well crafted.”
‣ Joseph Schwantner


“[Coleman's music is] new and fresh without being unapproachable or tradition-bound... I found it to be touching and wondrous.”
‣ Glen Nelson


“The melodic invention, the craftsmanship of the presentation and above all the sheer luminosity of the textures I find very attractive.”
‣ David Tutt


“As usual, Coleman writes a music that is as intense as it is magical, as powerful as sensible. The solo seems to slowly, softly exit from the clouds of a dream to reach the final climax in the most natural, spontaneous way... There is a very intense singing, here, and a very clever play of timbres.”
‣ Paulo Tramannoni


“Wow! Beautiful!”
‣ Kim Wells

VISITORS